Another daring Romanesque beauty? Well, yes and no. Consecrated in 1106, Parma has a classic Lombard-Romanesque facade, but inside, the gilded pulpit and ornate lamp-holders scream baroque. Take note: there are some genuine treasures here. Up in the dome, Antonio da Correggio's Assunzione della Vergine (Assumption of the Virgin) is a kaleidoscopic swirl of cherubs and whirling angels, while in the southern transept, Benedetto Antelami's Deposizione (Descent from the Cross; 1178) relief is considered a masterpiece of its type.