The main wí·hăhn (sanctuary) at this temple, known by locals as Wat Yai, appears small from the outside, but houses the Phra Phuttha Chinnarat, one of Thailand’s most revered and copied Buddha images. This famous statue is probably second in importance only to the Emerald Buddha in Bangkok’s Wat Phra Kaew.

　　The story goes that construction of this wát was commissioned under the reign of King Li Thai in 1357. When it was completed, the king wanted it to contain three high-quality bronze images, so he sent for well-known sculptors from Si Satchanalai, Chiang Saen and Hariphunchai (Lamphun), as well as five Brahman priests. The first two castings worked well, but the third required three attempts before it was decreed the best of all. Legend has it that a white-robed sage appeared from nowhere to assist in the final casting, then disappeared. This last image was named the Chinnarat (Victorious King) Buddha and it became the centrepiece in the wí·hăhn. The other two images, Phra Chinnasi and Phra Si Satsada, were later moved to the royal temple of Wat Bowonniwet in Bangkok.

　　The image was cast in the late Sukhothai style, but what makes it strikingly unique is the flame-like halo around the head and torso that turns up at the bottom to become dragon-serpent heads on either side of the image. The head of this Buddha is a little wider than that of the Sukhothai standard, giving the statue a very solid feel.

　　Another sanctuary to one side has been converted into a free museum, displaying antique Buddha images, ceramics and other historic artefacts.

　　Despite the holiness of the temple, endless loud broadcasts asking for donations, Thai musicians, a strip of vendors hawking everything from herbs to lottery tickets, several ATM machines and hundreds of visitors all contribute to a relentlessly hectic atmosphere. Come early (ideally before 7am) if you’re looking for quiet contemplation or simply wish to take photos, and regardless of the time be sure to dress appropriately – no shorts or sleeveless tops.